Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’


Journal article


Luis Quijano, Robert Speight, Alice Payne
Continuum: Journal of Media & Cultural Studies, vol. 35(6), 2021, pp. 897-913


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APA   Click to copy
Quijano, L., Speight, R., & Payne, A. (2021). Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins.’ Continuum: Journal of Media &Amp; Cultural Studies, 35(6), 897–913. https://doi.org/10.1080/10304312.2021.1993574


Chicago/Turabian   Click to copy
Quijano, Luis, Robert Speight, and Alice Payne. “Future Fashion, Biotechnology and the Living World: Microbial Cell Factories and Forming New ‘Oddkins.’” Continuum: Journal of Media & Cultural Studies 35, no. 6 (2021): 897–913.


MLA   Click to copy
Quijano, Luis, et al. “Future Fashion, Biotechnology and the Living World: Microbial Cell Factories and Forming New ‘Oddkins.’” Continuum: Journal of Media &Amp; Cultural Studies, vol. 35, no. 6, 2021, pp. 897–913, doi:10.1080/10304312.2021.1993574.


BibTeX   Click to copy

@article{luis2021a,
  title = {Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’},
  year = {2021},
  issue = {6},
  journal = {Continuum: Journal of Media & Cultural Studies},
  pages = {897-913},
  volume = {35},
  doi = {10.1080/10304312.2021.1993574},
  author = {Quijano, Luis and Speight, Robert and Payne, Alice}
}

Abstract

As the urgency around the environmental impact of fashion production grows, biotechnologies that engineer microbes and other biological organisms such as plants offer cleaner, greener processes and entirely new products. Bacteria and yeasts may be engineered to colour fabric, generate synthetic fibre precursors, and produce enzymes used to break down and convert waste. Biotechnology can also present as a continuation of humanity’s mastery over the natural world. This article explores how biotechnology may offer fashion – as both industry and culture – alternative ways of forming relationships with the natural world, offering a range of propositions for the role of biotechnology in fashion practice. The first theme, ‘taming’, examines how biotechnology offers alternatives that control and reduce environmental impacts within existing industry norms. Taming includes synthetic biology and microbial biotechnology to develop processes for silk and leather alternatives, and the replacement of existing fossil-fuel based fibres with bio-based equivalents. The second theme, ‘rewilding’, focuses on the role biotechnology may play in local, decentralised fashion production existing outside of industry control, within the community. Last, ‘speculating’ shows the role biotechnology may play in imagining and enacting alternative views of the living world in which the human and more-than-human entangle to form new kinships.



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